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So, what are you waiting for? Listen to it online at last.FreeWish 1.4 (40.5 MB) turns your PC into a social She asked me if she could use again my music and I ended up to compose two new tracks, simply named Rikhard I and Rikhard II. This time she was making a sci-fi version of Richard III. Next year Väänänen was continuing with Shakespeare. The names of the songs have nothing to do with the play itself.
The rest three pieces are on this compilation and they are called Cezannen kuvat, Derridan metodologia and Sulava aika. One of the tracks was never used and another one ( Principia Etchica) has been already released in Trailing Space's album Like Saturn Devours His Own Children. Lots of my earlier ambient tracks were used (available at ), but I also composed five new pieces.
In year 2006 Elina Väänänen was directing a version of Shakespeare's The Tempest and she was in need for ambient. All of these tracks are improvised live performances played in my home studio with softsynths and keyboard. I have selected five tracks originally composed for two performances to form an ambient compilation named Soundscapes For The Stages. Usually I use some old tracks, sometimes remix them, but of course I always compose some new material. I have made music for numerous theatrical performances. Tomorrow I will start working hard with those two sketches. Now I have hundreds of megabytes fresh material on my laptop, but no good preview material to show. When I started to play a low, distorted and heavily delayed guitar on it the direction of the song started to unfold Sort of muddy, shamanic folk rock psychedelia or something, something very new for me. We started by recording a little faster rhythms, but soon we found ourselves recording quite slow rumba columbia rhythm. I didn't find the cause of the problems, but we found a work-around. We encountered strange latency problems when recording his arsenal, which consisted of a djembe, congas, shakers and all kind of clave percussions. We had an idea to record some percussions, but not to the song I started earlier the day. I had invited my friend Petri to join the recording session and he came by. At the moment the song is a slow and straight forward post-rock track, but I want to record at least an epic climax finalé to it. Soon I was composing and recording a little Mogwai-like guitars with different variations. When I began to add some guitars here and there, I found something just wasn't right and I couldn't improve the song any further. I started my day with a cup of black coffee and an electronic, distorted beat layered with atmospheric electric pianos. It is the 1st day of February and the first day of The RPM Challenge (record an album in 28 days)! Nice to start the challenge in Sunday when you have nothing else going on. Those are tracks I have written for theater performances. I will make also an "official" Internet release later, which will also include older unreleased material, like Every Heart Will Be Attacked, Kill Your Darlings and And The Rockets Dead Glare. Everlasting Punishment, Everyone Welcome.Like Burning Cities Painting a Crimson Sky.
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